Polish AI voiceover

The Polish voices, with samples

Each sample reads the same line so you can compare them fairly.

The path from any brief to a Polish script

Language is a field, not a property of your brief, so a brief written in English with Polish selected yields Polish narration and Polish on-screen copy throughout. The director writes natively rather than translating, which shows in the details: Polish case endings agree, and the phrasing avoids the calque quality of machine-translated ads. The locale is pl-PL and cannot drift, since each premium voice's identifier is bound to it. If a specific phrase must appear exactly, the tagline painted on your van for instance, quote it in the brief and it will be used untouched.

Eight voices, four intended uses

The pairs split by register. Puck and Laomedeia have the lifted delivery of a retail ad, and promos and UGC style spots default there. Charon and Erinome speak evenly for instructions, and every tutorial is pinned to that pair by rule, a guard that cannot be talked around in the brief. Umbriel and Sulafat give warmth for testimonials and neighbourhood businesses. Iapetus and Aoede stay neutral for company updates. Gender is chosen alongside style, and any single scene can be re-voiced from its dialog, where the whole Google catalogue is searchable beyond these eight.

Speed, silence and the soundtrack

Polish pacing lands close enough to English that scenes seldom stretch far, but the mechanism is there: a scene grows to hold its audio, and in dynamic pace a spilling line carries over the next cut smoothly. Three per-scene controls cover the rest. Delay pushes the voice entry back by seconds so a visual can breathe first. Speed offers steps from 0.85x to 1.25x. And the narration text itself is always the strongest lever. Music handles itself, ducking to 22 percent beneath speech with a short ramp on each side, so the mix never needs manual keyframes.

Writing Polish the engine reads cleanly

Numbers inflect in Polish, so writing them as words removes ambiguity: dwieście złotych reads correctly where 200 zł might not take the case you intended. Foreign names are handled by respelling in the narration, the product's only pronunciation control, and Polish orthography is phonetic enough that one respelling usually suffices. Punctuation carries double duty, cutting caption cues and shaping the read; short sentences serve both. Generated narration never contains an em dash, a prompt-level rule, and hand edits should follow suit since a dash inserts a pause the captions do not expect.

Captions in this script

Polish captions render their full character set, ą, ę, ł, ż, ź, ś, ć and ń, in every one of the catalogue's fonts, since the Latin extension covering them ships everywhere; no look falls back to a system font. The active word highlights as it is spoken, on timings measured from the clip. Polish consonant clusters make words visually dense rather than long, so lines stay inside the pill's width comfortably, and the 48 character sentence split matters less here than in Romance languages. The pill itself is fixed dark with white text at every look.

Questions people ask

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