Everything you can make
One page per capability, written from what the product actually does. Each page shows the result, the three real steps, and the limits worth knowing before you start.
252 pages
Presentations
2x2 matrix slides
A 2x2 is only useful when both axes are things that can genuinely be high or low, and when putting an item in a quadrant is a claim somebody could dispute. Get the axes right and the grid does the arguing for you. Get them vague and it is decoration.
A presentation researched from web sources
Before it plans a deck, the writer can look things up. One search, and optionally a full read of a couple of the pages it found. This page covers what that changes, when it does not bother, and the thing you should not expect from it.
Add a logo to slides
One control puts your brand mark on the deck. It lives in the same panel as the transition and footer settings, applies at deck level, and offers exactly the decisions worth making: what to show, how big, and on how many slides.
Add a text box and 65 other slide elements
The layouts cover the common shapes, but sometimes a slide needs one more thing: a caveat in a callout, a number pulled out as a stat, a second list. The element library is a drag and drop catalogue of 66 pieces that go onto any slide, wherever you drop them.
Add your own images to slides
Photographs of your product, your team, your site or your work are the pictures a deck actually needs, and no generator produces them. Every picture box takes an upload, and four small controls decide how the result sits on the slide.
AI image generation for slides
Every picture box on a slide can be filled by describing what should be in it. The generated image is requested at the aspect ratio of the box, so it arrives filling the space rather than being cropped into it, and every attempt stays in the deck for you to compare and reuse.
AI presentation maker
Most tools that write a presentation hand you a text outline and leave the design to you. This one plans the deck, chooses a purpose for every slide, binds each purpose to a real layout out of 353, writes the copy into the shapes that layout expects, and generates the pictures.
Build a presentation in another language
The language control sits with the theme and length settings under the prompt box. What it does is not translation. The whole deck is planned and written in the language you name, which produces different sentences from writing it in English and translating afterwards.
Change a slide layout
Swapping a layout is not a template change in the usual sense, where your content gets dumped into a new frame and you spend ten minutes putting it back. The picker only offers designs that hold the same shape of content, and each card is rendered live with your words already in it.
Chart slides
A chart here is a small spreadsheet plus a choice of how to draw it. Categories down one side, one or more named series of numbers, and a render kind you can change at any time. The numbers never move when the drawing does.
Comparison slides
Comparison is the single largest family in the library, because most business arguments are two sided. The layouts differ by what kind of two sided claim you are making, and picking the wrong kind is what makes an audience argue with the slide instead of the point.
Dark presentation theme and the other three modes
Dark is not a separate theme here, it is one of four colour modes that any slide can be switched to on its own. The palette stays the same and the mode decides how its colours are applied, so a dark slide in the middle of a light deck still belongs to the deck.
Diagram slides
A diagram here is a list of labelled items and a decision about how to arrange them. Twelve arrangements are available and they all read the same list, so a funnel becomes a pyramid without you retyping anything.
Draw on slides while presenting
Three tools appear over the slide while you present, and the difference between them is how long a mark lasts. That single distinction is what makes them useful, because a mark that lingers past the sentence it belonged to becomes clutter.
Edit a presentation with AI
The assistant in the side panel does not touch your deck. It reads a snapshot, decides what would have to change, and hands back a list of proposed operations you approve or throw away. That separation is the whole design, and it is why asking it to restructure a deck is not frightening.
Editable PowerPoint export
This export takes a slide apart. Anything PowerPoint has a native equivalent for is emitted as that object, and only the artwork it cannot express is left as a picture behind them. The result is a file somebody can actually keep working on.
Export a presentation to PDF
PDF is the export that works everywhere and needs nothing installed, which is why it is the one available on every plan. It is a faithful picture of your deck, and understanding that it is a picture is the difference between using it well and being disappointed by it.
Export to PowerPoint
Two PowerPoint exports exist and they solve different problems. This is the one whose entire job is looking right: each slide is placed into the file as a picture, so what opens in PowerPoint is exactly what you designed, on any machine, with no fonts to install.
Flowchart slides
A flowchart is the one diagram where the connections carry as much meaning as the boxes. This component treats them that way: nodes and connections are separate lists, positions are computed for you, and then you move things until it reads.
Gantt chart slides
A Gantt on a slide is a communication object, not a plan. It exists to show an audience which things overlap and roughly when, which means the useful version has eight bars and readable labels, not two hundred rows exported from a scheduling tool.
Generate slides from text
The prompt box is not a search field. It holds 8,000 characters, which is about 1,300 words, so a whole brief fits and gets used. This page is about what happens to that text on the way to becoming slides.
How many slides your presentation gets
One control decides more about the finished deck than the theme does. Slide count is not a suggestion to the writer, it is a target it is instructed to hit exactly, so choosing it badly produces a deck that is padded or crushed rather than one that is simply longer or shorter.
How to structure a presentation
Structure is the order of the slides and nothing else. Get it right and average writing survives; get it wrong and good writing does not. Five patterns cover most business decks, and each one is written here as a sequence of slide kinds you can build directly.
Make a presentation on your phone
The builder does not shrink the desktop layout onto a phone. Below 1024 pixels it becomes a different arrangement: a vertical feed of every slide you scroll through, with the tools that make sense on a touch screen and without the ones that do not.
Map slides
One map, the world by country, in two modes. Highlight answers where are we, shade answers how much is where. Anything below country level is out of scope, and knowing that before you plan the slide saves a wasted ten minutes.
Org chart slides
An org chart on a slide is not the org chart. It is the part of the structure the audience needs for the next ten minutes, which is almost never the whole company. The component is built for that: three levels, capped, and readable from the back.
Presentation fonts
There is one font control that matters and it sits at deck level. Choosing a family there overrides whatever the theme brought with it and applies to every text box on every slide, which is almost always what you want and is certainly what a consistent deck needs.
Presentation themes
The theme panel lists ninety nine entries: eighty eight colour palettes, twenty one hand built themes, and the ten places where a hand built theme takes over a palette's name. Picking one restyles the whole deck immediately, including charts, tables and diagrams.
Presentation version history
Versions are created when you save, not on a timer, so the history is a list of decisions rather than a stream of keystrokes. Each one carries a summary of what changed, which is what makes a long list readable instead of a wall of timestamps.
Presenter view on a second screen
Two windows, one on each screen. The slides go full screen on the display everyone can see, and the notes go into a separate small window you drag to your own. It is a simpler arrangement than a dedicated presenter mode, and worth setting up before the room fills.
Pricing slides
A pricing slide is a short form with strict fields, and the reason so many look amateur is that the copy was written before the fields were known. Tier names get twenty characters. Prices get twelve. Feature lines get sixty. Write to those and the slide designs itself.
Q&A slides
The slide that says Questions? in the middle of an empty screen is doing one job badly. There are six layouts here, and the useful ones do a second job: they give the room something to ask about, or they leave your contact details on screen while people are still looking.
Quiz slide templates
A quiz slide in a deck is not an interactive quiz. Nobody clicks an answer and gets a score. It is a question held on screen while a room answers out loud, followed by a slide that shows which answer was right. That is a smaller thing than a quiz app and a very useful thing in a training session.
Regenerate a slide
There are three different things people mean by redo this slide, and they have three different mechanisms with three different costs. Picking the wrong one is how you lose an edit you wanted to keep.
Reorder slides
The rail down the left is the deck's table of contents and its editing surface. Slides are dragged into a new order, duplicated, deleted, and each one shows the purpose it was built for, which is what makes the order easy to judge at a glance.
Share a presentation link
One link per deck. It does not change, it cannot be edited through, and it always serves the most recent version you saved. That last part is the reason to use it: nobody ends up presenting last Tuesday's numbers because they downloaded the file on Tuesday.
Slide layout templates
Three hundred and fifty three designs, and not one of them is filed under a look. They are filed under a job: comparison, metrics, pricing, timeline, testimonial. That is the organising idea worth understanding, because it is also how the generator picks one.
Slide page numbers and section labels
The strip along the bottom of most slides carries two pieces of navigation: a section label on the left telling the audience where they are, and a page number on the right telling them how far in. Both are supplied automatically and one of them is worth editing.
Slide transitions
Eight choices, one of which is no motion at all, and it is the default. Each of the other seven runs for a set duration between about a quarter of a second and half a second, which is short enough to feel like a cut and long enough to be seen.
Speaker notes
Notes live under the canvas, one set per slide, and they never appear on the slide itself. While you are presenting they stay closed unless you open them. The one thing to understand before you write anything sensitive is who else can reach them.
SWOT analysis slide
A SWOT is four boxes and a discipline. The boxes are easy. The discipline is keeping each entry short enough to argue about and honest enough to be worth arguing about, which is mostly a writing problem rather than a design one.
Table slides
A table earns its place on a slide when the audience will compare values rather than read sentences. The component is deliberately plain: a header band, rows, an optional bold first column, and widths you drag. Knowing its constraints is what stops you designing a table it cannot draw.
Timeline slides
Time on a slide has more than one honest shape. A run of milestones wants a rail. A set of phases with detail under each wants columns. A history with unequal gaps wants a vertical list. Twenty layouts cover those cases, and choosing badly is what makes a timeline unreadable.
Types of slides in a presentation
Every slide in this builder is one of twenty six kinds, and the kind is chosen before any words exist. Learning the list is worth ten minutes, because most weak decks are not badly written, they are slides doing a job they were not built for.
Finished examples of this kind are on the presentation examples hub.
Flyers
A4 flyer maker
A4 is the default canvas and the only paper size on offer, in portrait at 1240 by 1754 pixels and landscape at 1754 by 1240. If the flyer is going on a noticeboard, into a letterbox or across a counter, this is the one to build in and everything else is a derivative of it.
Add text and shapes to a flyer
Every design arrives finished, but a flyer usually needs one more thing: a price, a disclaimer, an extra card, a QR alternative. The element panel is where that comes from, and it holds sixty seven items grouped into thirteen sections.
Add your own photo to a flyer
Generated photography is convincing until the flyer is about your shop, your team or your actual product. Then you want the real picture in the real slot, and the thing to understand first is that the slot crops your photo rather than fitting it inside.
AI flyer generator
You write what the flyer is for. The generator chooses the designs, writes the copy into their slots, generates the photographs and hands you two complete flyers to pick between. Nothing about the layout is yours to fight with, because the layout was already designed.
AI images for a flyer
Generating a picture for a flyer is not the same as generating a picture. The slot already has a shape, a place in the composition and a job to do, and the generator is told all three before your words are added. That is why the result drops into the design instead of sitting on top of it.
Brochure maker
A brochure is a sequence, not a page. The cover earns the pick up, the inside earns the read and the back carries the contact details. The library holds designs written for each of those jobs, and building one is a matter of putting them in order.
Double sided and multi page flyers
Every flyer the generator returns is a single page, and that is a design decision rather than an oversight: a flyer is read at a glance and the writer is told there is no second page. Extra pages are yours to add, and once added they behave exactly like the first one.
Edit flyer text with AI
The in canvas assistant does exactly two things: it replaces the value of a slot, and it renames the flyer. That is a narrow scope, and it is narrow on purpose. Everything it writes is checked against the design's own character budgets before it reaches your canvas.
Facebook cover maker
820 by 312 pixels is the smallest canvas in the set and by some distance the most abused by the platform that shows it. Desktop, mobile and the page card each crop it differently, so a cover is designed around the part that always survives rather than around the whole rectangle.
Facebook post design
1200 by 630 is a landscape band roughly one and nine tenths as wide as it is tall. That shape is the reason a Facebook graphic never behaves like a poster: there is width to spare and only 630 pixels of height, so the design is a headline with support rather than a page of content.
Flyer colour themes
A theme is not a background colour. It is a palette, a type scale and a set of geometry rules that every element on the flyer reads from, which is why choosing a different one repaints the headline, the panels, the icons, the chart series and the borders in one move rather than one box at a time.
Flyer design options
Comparing two finished flyers is a different act from reading a description of two ideas. Both come back fully written, fully coloured and fully illustrated, and you choose the way you would in a print shop: by looking at them side by side.
Flyer fonts
A flyer does not use a heading font and a body font. It uses one family, and the theme's type scale does the rest: nineteen named sizes from a display headline down to a footer line, each with its own weight. Changing the font changes one thing and the whole page follows.
Flyer in another language
The Language field is not a translation toggle. It is passed to the writer before a single word exists, with an instruction to write natively in that language and not to translate jargon literally. The result reads like it was written by somebody who speaks it, because it was never written in English first.
Flyer size guide
Eight canvases, two for print and six for social, each with a fixed pixel size you can see in the dropdown before you commit. This page is the reference: the numbers, where they come from, and which of them are close enough to share a design.
Flyer template picker
Most of the time you describe the flyer and let the design director choose. Sometimes you already know the shape you want, because the content has a shape: a long price list, a photo led poster, a three column service card. Then you pick the design first and the writing fits itself into it.
Flyer templates gallery
The gallery is a browsing surface, not a shop. It renders every design at full size with sample content in whichever theme you choose, so you can judge composition and colour together before you commit a prompt to one of them.
Flyer to PDF for print
Pressing Export does not save a picture of your screen. It saves the flyer, hands the saved version to a headless browser on the server, screenshots each page at twice its canvas resolution and assembles those into a PDF. Knowing that explains almost every question people have about the file.
Flyer to PNG
PNG and JPG are the social formats, and they behave differently from the PDF in two ways that catch people out: each one exports a single page rather than the whole flyer, and every file comes out at exactly twice the canvas dimensions.
Flyer with a chart
Charts belong on a flyer far less often than people put them there, but when the message is a number moving, one chart does the work of a paragraph. Here it is a block you insert, type figures into, and then flip between ten shapes until one of them actually reads.
Flyer with a map
Most people searching for a map on a flyer want the corner their shop is on. That is not what this block does. It is a world map you colour country by country, which is the right tool for showing reach and the wrong tool for showing an address, and the difference is worth five minutes before you build.
Flyer with a price table
A table is the right block whenever a reader will compare one line against another: services against prices, sizes against costs, sessions against times. It is the wrong block when there are only two values, and knowing which side of that line you are on saves a lot of layout work.
Flyer with a QR code
A QR code on a flyer is the shortest route from paper to a booking page. On these designs it is not a pasted picture: the code is computed from whatever you type into it and drawn as vector art that takes its colours from the theme, so it stays crisp and stays legible when the palette changes.
Instagram post maker
Square is the shape that punishes a stretched poster the most. A one to one canvas has neither the height of a story nor the width of a banner, so a design has to be recomposed for it rather than resized into it, and that is what makes a square post look intentional.
Instagram story flyer maker
A story is nine by sixteen and it fills a phone. That shape gives you more vertical room than any other canvas here and almost no horizontal room, which changes what a design can do: things stack, they do not sit side by side.
LinkedIn post design
The canvas is 1200 by 627 and the constraint is not really the pixels, it is the register. A LinkedIn feed rewards material that looks like it came out of a company rather than out of a sale, and most of that impression is decided by the theme and the blocks you choose, not by the layout.
Make a flyer from text
A description is not a wish. It is the content of the finished flyer, because the writer is told to treat your words as the source of truth and is barred from filling gaps with invented specifics. So the honest question is not how good the AI is, it is how much you told it.
Resize a flyer for social media
Resizing here does not mean scaling. Change the canvas and the builder looks for that design's layout drawn natively for the new shape, swaps it in, and then works out which of your words belong in which of its slots. Understanding that matching step is what makes the result predictable.
Sale badge on a flyer
A sale badge is a small promise: new, half price, this weekend only. Two elements do that job here, a badge and a chip, and they are pill shaped text blocks that take their colour from the theme rather than stickers you drag off a shelf. That has consequences worth knowing before you place one.
Trifold brochure maker
Two designs carry trifold in their name, an inside panel and an outside panel, both drawn as A4 portrait sheets of three stacked bands. What does not exist is a folded spread with panel guides, so if you need a genuine six panel trifold you set the geometry out yourself, and it is worth knowing that before you start.
Turn a price list into a flyer
A price list is easy to write and hard to lay out. The awkward part is not the design, it is arithmetic: a flyer slot holds a fixed number of rows, and your list almost certainly has more than that. Knowing the budget before you start decides whether you get a menu or a mess.
Twitter header maker (X)
1500 by 500 is the widest canvas in the set at exactly three to one. Nothing about that shape behaves like a flyer. It is a banner, it is read in passing above a profile, and the designs drawn for it treat it that way: one statement, one mark, and a lot of considered empty space.
Undo flyer changes
Two safety nets exist on a flyer and it is worth knowing where each one stops. Undo goes back fifty steps but only while the tab is open, and the Flyer 1 and Flyer 2 switch takes you between the AI designs you were originally offered. There is no version history drawer, and this page is about working around that.
Finished examples of this kind are on the flyer examples hub.
Documents
AI document generator
Most tools that write a document hand you a wall of text. This one decides what kind of document it is first, then writes it and lays it out on A4 pages with the tables, headings, clauses and page breaks a document of that kind actually needs.
AI images in a document
Most documents need fewer pictures than people put in them, and the ones that earn their place are specific. Describing the figure you want beats searching for a photograph that nearly fits.
Callout box in a document
A callout is the sentence a reader cannot afford to skim past, lifted out of the paragraph and marked. It works because it is rare, which is why the interesting question is when not to use one.
Charts in a document
A chart earns its place when the shape of the data is the point. Six types are available, they take the document theme colours, and the honest advice is that most documents need fewer charts than they contain.
Code blocks and equations
Some content has to be reproduced exactly: a configuration snippet, a decision rule, a formula. Prose paraphrases it and gets it wrong. These two blocks print it as written.
Control page breaks in a document
Most page break problems fix themselves, because the engine already refuses to strand a heading or split something that would fit a page whole. The rest are fixed with one block, deliberately placed.
Custom document theme
When none of the ten presets is your brand, you have two routes: describe the look in a sentence and let it generate one, or set the colour tokens yourself. Most people should start with the first.
Data tables in a document
A table is the right block whenever the reader will compare values rather than read sentences. Rates, line items, schedules and specifications all belong in one, and prose about them does not.
Diagrams in a document
You give a diagram its steps and it lays itself out. There are five kinds, and every coordinate is derived from the kind you pick, so there is nothing to align and nothing to nudge.
Document components
There are 45 block types. You will use about twelve of them regularly, and knowing which twelve is most of the difference between a document that reads as designed and one that reads as typed.
Document cover page
A cover is a separate designed sheet before the content, and it is added only to documents a reader would expect to open on one. There are seven layouts, and the choice says as much as the words on it.
Document letterhead
A letterhead is the sender-identity band at the top of the first page. It belongs on documents that speak for somebody, and it is deliberately kept off the ones that do not.
Document table of contents
You write the section titles, the engine writes the page numbers. Numbering runs last, after every other layout pass, because moving one section changes every number after it.
Document theme colours
A theme is a set of colour tokens and two fonts, and every block on the page reads from it. Switching theme restyles the headings, the tables, the charts and the callouts together rather than one at a time.
Document to PDF
Export is not a print dialog. The document is rendered on the server from the same page layout you have been editing, which is why the PDF matches the screen rather than approximating it.
Document with a signature block
An execution block is the part of an agreement people get wrong most often, usually by typing underscores. A signature block gives every party the same structure, and it is also what the signing flow reads to place its fields.
Documents written with web research
Before writing a document from a prompt alone, the generator searches the web once, reads the strongest result in full, and writes with those findings in front of it. It is a grounding step, not a citation engine, and the difference matters.
Drag and drop document editor
The canvas is a page, not a text box. Blocks are dragged, resized and snapped to a grid, and the pagination is worked out from what is on the page rather than from where you pressed enter.
Edit a document with AI
The chat panel is a rewriting tool. It can reach the text of every block on the page, including the ones nested inside a container, and it deliberately cannot touch anything structural.
Formal vs plain document tone
Register is not a style setting applied at the end. It is decided before a word is written, and it changes the structure, the blocks and the colours as much as the sentences.
Generate a long document
A handbook is not a long letter. Past about six pages a document needs navigation, a consistent structure and sections that do not repeat each other, and that only happens if the outline exists before the writing does.
Key figures in a document
Some information is looked up rather than read: the price, the duration, the invoice number, who to contact. Burying those in a paragraph makes a reader hunt. A key values block puts them where the eye goes first.
Numbered clauses in a document
Numbering is what makes an agreement usable. Without it nobody can point at anything, and every conversation about the contract becomes a conversation about which paragraph you both mean.
One page documents
The failure mode of a one page document is a page that is two thirds full. It is treated as a composed page rather than a short document, which means the blocks are sized to use the height they have.
QR code on a document
A QR code is the bridge between a printed page and something online. It earns its place only where a reader would genuinely scan: to pay, to book, to verify. Everywhere else it is a square of noise.
Tidy a document layout
Hand editing drifts. Each block is placed relative to the one above it, small errors are inherited, and after twenty edits the top of the document is on a rhythm and the bottom is not.
Timeline in a document
A schedule buried in a paragraph is a schedule nobody checks. A timeline block takes the phases and their dates and lays them out in order, which is the one thing a client looks for in a proposal.
Undo changes in a document
Two things stop you losing work: an undo stack fifty steps deep, and a header that always tells you whether what is on screen has been saved. Both are worth understanding before you need them.
Write a document from a description
You are not asked how many pages you want. The length is worked out from what the document has to do, and that decision changes how it is written, not just how long it runs.
Write a document in another language
The language picker sits under the description box, next to the colour. Choosing there produces a document written in that language throughout, rather than an English document with translated paragraphs.
Finished examples of this kind are on the document examples hub.
Forms
Add a signature field to your form
An inline signature is the person in front of you signing the form they are already filling in. They draw with a finger or a mouse, or type their name, and the mark prints into the PDF of their response.
Add your logo to a form
A form on a link, sent by email, arrives with no context. A logo answers the question the respondent is actually asking, which is whether this is really from you, before they type anything.
Address fields in a form
Asking for an address in a single text box gets you five different formats from five people. The address field gives each part its own labelled box, so people fill in what you actually need and nothing gets left out.
AI form builder
You type a sentence about the form you need. What comes back is not a wireframe or a list of suggestions, it is a finished form with its fields chosen, labelled, ordered and marked required or optional, ready to publish on a link.
AI images in forms
Conversational forms have real space for pictures: a split layout gives half the screen to an image. Rather than hunting for a photo that fits, describe the one you want and it is made at the shape the slot needs.
Auto arrange form fields
A form that has been edited by hand for an hour drifts. Fields sit two pixels out, gaps vary, and the whole thing looks slightly wrong without any single thing being wrong. Prettify re-spaces it in one action.
Background designs for forms
A conversational form gives each question a whole screen, and a plain screen with one question on it can feel bare. Background designs fill that space without competing: 24 patterns across four families, applied per form or per page.
Build a custom form theme
When the palettes are close but not right, build the theme yourself. Theme Studio has four panels, saves the result to your account, and puts it alongside the built-in themes on every form you make afterwards.
Build a form in any language
The language picker sits under the prompt box. Choose a language and the whole form comes back in it: labels, descriptions, option lists, the button, the welcome screen and the thank-you screen, not just the questions.
Control who can fill in a form
A form has exactly one access type, and choosing it is a trade between how many people can get in and how sure you are about who they were. Here are all four, and the case for each.
Conversational form builder
A conversational form shows one question at a time on its own screen, with a progress bar and a keyboard shortcut to move on. It is the right shape when you are asking a stranger for something and the risk is that they stop halfway.
Custom thank you page after a form submit
The thank-you screen is the one moment you have somebody’s full attention and nothing left to ask them for. Most forms waste it on the word Thanks. It can tell them what happens next, and send them somewhere useful.
Date and time pickers in a form
A date typed into a text box is a guess about format. A date field gives a picker, stores a real date and sorts correctly in your spreadsheet, which is the difference between a booking list and a puzzle.
Design the PDF version of a form
A form on screen and the same form on paper want different things. The PDF layout is a second arrangement of the same fields, with its own order, its own header and footer, and the ability to hide anything that only matters online.
Download a form as a PDF
Not everyone will use the link. A blank template PDF gives you the same form as a printable page, laid out properly rather than screenshotted, with a header, a footer and page numbers.
Download a form response as a PDF
A response is a row in a table, which is right for you and useless for anyone downstream. The response PDF turns one submission into a document: the questions, the answers, the photos and the attachments in one file.
Edit a form with AI
The chat panel is a text editor you talk to. Ask it to soften a label, shorten the help text or rewrite every question in plainer English and it does that across the form. What it will not do is just as important as what it will.
Email notification on a form submission
A responses table only works if somebody opens it. An email alert puts the submission where people already look, with the answers in the body, so an enquiry gets acted on the same day rather than the same week.
Embed a form on your website
A form on its own link works. A form inside your own page works better, because people never leave your site to fill it in. The piece most people miss is restricting which sites are allowed to embed it.
Export form responses to CSV
The export gives you a CSV with a submitted-at column and one column per input field, covering every response rather than the page you are looking at. Knowing how the composite fields are written is what saves you an afternoon later.
Fill in the blank forms
Sometimes a question is really a sentence with holes in it. A declaration, a statement of intent, a short contract clause. The inline text field lets you write that sentence and drop real inputs into the gaps.
Form submission webhook
A webhook posts each submission to a URL you own as JSON, which is how a form becomes part of a system rather than a list you copy from. The important detail is that it fires once and does not retry.
Form themes and colours
A theme restyles the whole form at once: background, form surface, input borders, focus colour, buttons and type. There are 12 for classic forms and 25 for conversational ones, and you can change your mind after every one of them.
Form version history
Publishing does not overwrite. Each publish writes a version holding the whole form as it stood, including its access settings, and one of those versions is marked current. Rolling back means making a different one current.
Form welcome screens
The welcome screen is the only part of a form some people ever see. It has one job, which is to make starting feel small, and it does that with a clear title, one line of context and an honest estimate of how long this will take.
Forms only your people can open
Login required is the access type for when it matters who answered. A respondent has to be signed in, and you can limit that to a list of addresses or to everybody on a domain.
Forms that collect video answers
A recording field set to video asks someone to answer on camera. For screening candidates, collecting testimonials or checking a physical thing, it replaces a scheduling thread with a two minute recording.
Forms that get signed by email
The e-signature field is for the party who signs after the form is submitted. Each signer gets their own private link, you decide the order they sign in, and the finished PDF comes back with a record of who signed and when.
Forms that take a voice recording
Some answers are quicker said than typed. A recording field asks for audio instead of text, with a recorder, a running timer and a duration cap, and the recording plays back in the response.
Forms with a table for line items
Some answers repeat. Three work references, five line items, two vehicles. A table field asks for them in named columns instead of you copying the same field five times down the page.
Forms with photo upload
When you need to see something rather than read about it, ask for a photo. The photo field takes one image, which sounds like a limitation and is actually the thing that makes the results usable: one named field per shot you need.
Generate a form from a description
The same request written three ways produces three different forms. This page is about that gap: what a vague prompt gives you, what naming your sections adds, and what happens when you paste the questions you already have.
Images and video inside a form
Some questions cannot be asked in words. Which of these three finishes do you want, does this match the damage you are reporting, did you watch the briefing. Image and video blocks put the thing itself on the page.
Make a fillable PDF from a form
A fillable PDF is a document with real form fields in it. People open it in any reader, type into the boxes, save it and send it back. It is what you need when the recipient will not use a link but will use a computer.
Multi step form builder
A classic form set to paginated stops being one long scroll and becomes a wizard. The canvas splits into sheets, respondents get Back and Next with a page counter, and no field is ever cut across a break.
One block for name, email, phone and address
Contact details are the boring part of every form, and in a one question at a time form they cost four screens. The profile field puts them on one screen, so the questions worth asking get the attention instead.
One question at a time forms
Twelve questions can be twelve screens or one page. Both take the same answers and produce the same row in your responses table. The difference is entirely in what the respondent feels, and it decides who finishes.
Online form with file upload
An upload field turns a form into a way of collecting documents. You set how many files, how large each may be, and whether you want images, PDFs or both, and the files arrive attached to the response rather than in your inbox.
Password protected forms
Secret key access puts a password in front of the form. Anyone with the link and the key gets in, anyone with only the link does not. It is the simplest of the four access types and the right one more often than you would think.
Printable A4 forms
Plenty of forms have to exist on paper as well as on a link. Setting the page size and the margins deliberately, and checking the PDF layout once, is the difference between a document and a printed web page.
Rating matrix questions
A matrix asks six statements against the same five point scale in one field instead of six. It is the densest question type there is, which makes it efficient for the person reading the results and demanding for the person answering.
Read and manage form responses
Every submission is a row, with a column per input field and the submission time at the front. Composite answers like a matrix, an address or a table are readable in the cell, so you can scan a page of responses without opening any of them.
Redirect after a form submission
A form is usually a step in something longer. Sending people onward afterwards is the difference between a dead end and a flow, and there are two ways to do it depending on whether the next step is optional.
Single column form layout
A classic form can be laid out freely on a canvas or forced into one column at full width. The second option looks plainer on a laptop and is almost always better on a phone, which is where most forms are actually filled in.
Sticky submit button
A submit button can sit at the end of the form or stay pinned to the bottom of the screen. It is a small setting with a real effect on long forms, where the end of the page is a long way from where somebody finishes.
Types of form fields
There are 41 component types in total, 36 available in the classic builder and 25 in the conversational one. This is the reference: what each group is for, and which fields only exist on one side.
Update a live form without breaking its link
Once a link is out in the world you cannot take it back, which makes editing a live form feel risky. It is not: saving only writes the draft, and the link keeps serving the last published version until you deliberately publish again.
Finished examples of this kind are on the form examples hub.
Videos
Add captions to a video
Most tools transcribe the audio to make captions, which means the captions inherit whatever the speech recogniser heard. Here they come from the other direction: the narration text you wrote is the source, the speech is synthesised from it, and the captions are generated from the same string.
Add my own video clip
Not everything should be generated. If you already have footage, six scene layouts exist to play it, with a title beside it, three icon bullets, a quote, a counting number, or full screen with a caption over the top. The clip is trimmed and fitted in the inspector rather than in a separate editor.
Agency video maker
The recurring failure in agency reels is that a viewer cannot tell what the agency actually did. Every shot is somebody else's brand, no role is credited, the strongest piece sits at fifty seconds behind a logo animation, and it ends fading to black. It proves you have good taste in other people's work.
AI creator video or faceless video
These are the two ways to make a video without filming anything, and they are not interchangeable. One casts a person and animates them talking. The other never shows anybody. They have different plan gates, different length ceilings, different scene libraries and different failure modes.
AI explainer video maker
An explainer has a specific problem. The thing being explained usually has no picture. There is nothing to film about a pricing model, a claims process or how a marketplace matches two sides, so the video has to draw the idea instead, and draw it in the order a person builds understanding.
AI images for video scenes
Some scene layouts want a photograph and you do not have one. A generated image fills that gap, and the interesting part is the rule around it: it is only allowed where the picture is genuinely generic. Faking your own interface, your logo or a real person is explicitly forbidden.
AI product video maker
If you sell a physical thing you already have the raw material: the photographs from the listing. The work is deciding which shot opens, which ones group together, which scene can hold four of them at once, and how each picture sits in its box without being cropped through the subject.
AI promo video maker
A promo has a shape older than any of the tools that make one. Grab attention, show why it matters, prove it, ask for the click. The promo director here is built around that arc and is measured against it, which is why the output cuts rather than scrolls.
AI tutorial video maker
A walkthrough fails for boring reasons: it moves too fast to follow, it changes layout every step so the eye has to relearn the screen, or the narration says something different from the words on the picture. The tutorial director is a set of rules written specifically against those three failures.
AI UGC video generator
UGC ads work because they look like somebody filmed themselves in a kitchen, not because they look expensive. This generator casts one AI creator, gives them a voice, and animates their portrait speaking each line, then cuts between those takes with fast proof beats.
AI video ad maker
The awkward part of running a video ad is never the first cut. It is the second one, at a different shape, for a different placement, without redoing the work. Every slot in every scene here carries a separate position for each canvas, so changing the aspect ratio reflows the design instead of stretching it.
AI video generator
You write a paragraph about what you are promoting. What comes back is not a storyboard or a set of stock clips to assemble, but a video that already plays: scenes picked and ordered, copy written into every box on screen, a narration track spoken aloud and captions running under it.
AI video script generator
A video script that reads well on a page usually plays badly. The reason is that the page has no timing. Here the script is produced scene by scene, and every line arrives attached to a duration, an on-screen headline and a layout that has already been chosen.
AI voice options
There are two different voice pickers here and they work at different scales. When a video is generated, the director chooses from eight characters, four styles across two genders. In the builder afterwards, every voice Google offers is searchable per scene. Most people only need the first.
AI voiceover languages
Language here does two separate jobs, and they can come apart. It tells the director which language to write every line in, and it selects the locale the synthesised voice comes from. The writing side accepts anything you type. The voice side has a fixed map of 31 entries.
Animated chart in a video
A chart scene exists for the case where the shape of the data is the point, rather than one headline figure. Bars racing to different heights, a line climbing, a waterfall building to a total. All of it drawn from numbers you actually supply, because the director is not permitted to make any up.
Animated diagram in a video
A diagram scene draws a concept from a list of labels. It is the tool for structure, hierarchy and repeating loops, the things that have no photograph and no number, and the six shapes it offers are not interchangeable. Choosing the wrong one says something untrue about your idea.
Animated map in a video
A map scene is for one specific claim: that you operate somewhere. It draws a world or region map with glowing markers on the cities you name, usually beside a count-up number. It is a coverage graphic, not a mapping tool, and the difference matters before you reach for it.
Animated video backgrounds
Backgrounds here are applied one scene at a time, not once for the whole video, and every one of them is built from colour tokens rather than fixed hex values. So a background is not a picture you drop behind the content. It is a treatment that takes on whatever palette the video is using.
App promo video maker
App store video is the most tightly specified format in this list, and the two big stores specify it differently. One enforces a hard fifteen to thirty second window and accepts nothing but screen captures of the app itself. The other wants the first ten seconds to be genuine in-app experience and most of the runtime to be representative.
B2B video maker
Two findings from a professional network's own creative research shape everything about B2B video. A logo in the opening two seconds lifts click through by about a sixth. Human talent in that same window lifts it by around two fifths. And only about seven percent of the B2B ads analysed featured any human emotion at all.
Background music for video
Music here is one track laid across the whole video, looping to fill it and automatically dropping out of the way whenever anybody speaks. That is a deliberately simple model, and knowing where its edges are saves you fighting it.
Change a video's aspect ratio
Cropping a wide video into a tall one throws away two thirds of the frame and whatever was in it. Switching format here does something different: every element already knows where it belongs in each shape, so the design is rebuilt at the new aspect rather than trimmed to it.
Corporate video maker
The recognisable failure is ninety seconds of aerials, hands on keyboards and rack focus over a voiceover of adjectives: innovative, trusted, global, purpose driven. No product in operation, no dated figures, no named person, closing on the logo. It is indistinguishable from every competitor's film and goes stale invisibly.
Countdown offer video
Urgency in a video is a scene, not a widget. A countdown scene sets a deadline in type large enough to read in a feed at arm's length, and it will not be built at all unless your brief contains a real date. What it never does is count down against a live clock, which is worth understanding before you plan a campaign around it.
Course promo video maker
Course marketplaces publish an unusually specific recipe for the promo video, down to how many seconds each part gets. The instruction people most often break is the one about the learning objectives: list them, do not describe them, and do not teach anything yet.
Cursor and spotlight in a tutorial video
Two devices point at things in a walkthrough. A cursor that travels to a control and clicks it, and a spotlight that rings a region and dims everything around it. Both are aimed by hand on the preview, and that is deliberate: the AI is kept away from them because a pointer aimed at the wrong pixel is worse than no pointer.
Ecommerce product video maker
A product video for a marketplace is written against a rulebook, not a brief. The big retail platforms autoplay it muted, cap it at well under a minute, and ban a surprising number of the things a marketer would naturally put in it. Knowing the bans before you write is most of the job.
Event promo video maker
One shoot produces two videos and they are not versions of each other. The sizzle reel is fifteen to thirty seconds of crowd reactions, fast pans and movement, and it goes on next year's registration page. The recap is forty five seconds or more of establishing shots, venue detail and longer speaker clips, and it reports on what happened.
Export a video in 4K
There are two export options and the difference is simpler than the labels suggest. Standard renders at the canvas size. Ultra renders at exactly twice it. That is the whole mechanism, which makes deciding between them a question about where the video is going rather than about quality settings.
Facebook video ad maker
Facebook is the placement where the old advice still holds. The feed autoplays with the sound off, the ad footer sometimes does not render at all, and in-stream lets a viewer skip after five seconds. Everything about how a Facebook video ad is built follows from those three facts.
Faceless video maker
Faceless is not a style, it is a constraint you accept for a reason. Nobody has to be available, nothing has to be filmed twice when a price changes, and the same video can be reissued in another language without anybody appearing to speak it. The trade is that every second has to be carried by type, motion and voice.
Gym video maker
The classic fitness video mistake is booking the shoot for five in the morning so the floor is clear. What you get is an immaculate empty room, which is the precise opposite of what somebody is buying. People join a gym for the other people, the full class and the noise.
How long should my video be
Length is set as a scene budget rather than a target duration, and that is a more useful way to think about it. Three to six scenes is a different video from six to twelve, regardless of the clock, because it is a different number of things you get to say.
HR video maker
An internal benefits or policy video usually explains the change beautifully and never says what to do about it. Four minutes about an exciting new partner, the actual change buried at two minutes forty, no effective date, no deadline, and nothing about what happens to somebody who does nothing at all.
Instagram Reels maker
Reels is the only vertical surface where the platform states its safe area in plain text rather than shipping a template and leaving you to measure it. Meta asks for 14 percent of the top, 35 percent of the bottom and 6 percent of each side to be kept clear of text, logos and anything else that matters.
Instagram video ad
The two Instagram ad placements look similar and behave differently. A Feed ad gets 125 characters of primary text and a viewer who may pause. A Reels ad gets 44 characters, no auto-captioning from Meta, and a viewer who is already moving. The video has to absorb what the copy fields cannot hold.
Landscape video maker
Vertical took the feeds, but it did not take everything. A watch page, a television, an in-stream ad, a LinkedIn desktop feed, a page embed, a screen at the back of a trade stand and any video that is mostly a screenshot are all still landscape problems, and they are the ones where a 16:9 master earns its keep.
LinkedIn video maker
LinkedIn's own advice to advertisers is to think like a silent film director. Video autoplays with the sound off in the feed, the message has to land in the first ten seconds, and the platform reports that videos of 7 to 15 seconds see up to a 300 percent lift in completion rate.
Logo watermark on video
A watermark here is not a corner bug stamped over the whole video. It appears after the opening scene, holds through the middle at partial opacity, and fades out before the closer, because those two scenes are already carrying the brand and a mark on top of a wordmark reads as a mistake.
Nonprofit video maker
Charity video has a counterintuitive finding at its centre. A large number describing suffering suppresses the response rather than increasing it, while one identifiable named person increases it. So the cold open is a person, and the statistic waits until after the audience already cares.
Onboarding video maker
The default onboarding video is one twenty to forty minute orientation film fronted by an HR generalist, opening on company history and the org chart. It ages the moment a tool changes, it is watched at a fraction of its length, and it front loads what the new hire does not need over what they are anxious about.
Real estate video maker
Property video has a structural problem nobody warns you about. Most multiple listing services fine you for putting your branding in the tour, and your own advertising rules require your brokerage name on it. That is not a preference you can split the difference on. It means two exports of the same listing.
Recruitment video maker
The thing to internalise before making one is that a recruitment video is a job advertisement. Which means the employment advertising rules apply to the pictures and the narration, not just to the text of the posting, and that a generic culture film with no role in it cannot do the job you made it for.
Restaurant video maker
There are two restaurant videos and they run in opposite directions. The venue film follows a guest's arrival: sign, room, bar, then the food. The social cut inverts it entirely, opening on the pour, the cheese pull or the sauce hitting the plate, and only orienting the viewer afterwards.
SaaS demo video maker
The failure mode in software demo video is specific and almost universal. It walks the navigation in menu order, here is the dashboard, here is settings, here is integrations, and nothing is ever produced. The viewer finishes it unable to say whether the thing would do their job.
Sales pitch video maker
Outbound video splits into two jobs and only one of them belongs here. The one to one prospecting video, where a rep films themselves waving with the prospect's name on a whiteboard, is a camera job and this tool has no camera. The pitch asset that follows the reply is a build job, and that is what this is for.
Salon video maker
Salon video runs on the transformation, and the transformation is the part regulators treat most seriously. A before and after is judged as a testimonial style claim, which means it has to be genuine, unmanipulated, and backed by signed dated proof that it is both.
Share a video link
The share link here is not a link to a file. It opens a page that plays your saved video by rendering it in the viewer's browser, from the same document the builder works on. That has one very useful consequence and one you need to know about before you send it to a client.
Slideshow video with narration
The reason most photo slideshows are unwatchable is that every picture gets the same three seconds and one voiceover runs across the lot. The interesting shot flies past, the filler lingers, and the narration is talking about image two while image five is on screen.
Testimonial video scene
A quote lands harder with a face attached, and there is a scene role for exactly that. What it will not do is invent the person. The instruction is explicit: only claim a named person when the brief actually names one, so a testimonial from nobody in particular is a quote scene instead.
TikTok video maker
TikTok is the one surface where the interface eats the most of your frame. The right rail of buttons, the caption block, the music ticker and the nav bar together claim a large part of a 1080 by 1920 canvas, and TikTok deliberately does not publish a single number for it because the zone changes with your caption length.
Training video maker
The most expensive mistake in workplace training video is treating played to the end as proof of training. For several regulated topics a safety regulator has stated in writing that training solely by video, with no opportunity for discussion, constitutes a violation. The video is a teaching aid, not the record.
Vertical video maker
If you only make one vertical file, it has to survive four different sets of interface furniture. Each platform covers a different part of the frame, so the design target is not any one safe zone, it is the union of all of them, and that union is a smaller box than most people expect.
Video colour themes
A look is three decisions bundled into one: a colour palette, a typeface and whether the video is light or dark. They are bundled because the three go wrong together. A serif on a neon palette in dark mode is a specific mistake, and a preset is how you avoid making it by accident.
Video fonts
Unlike a document, a video does not pair a display face with a body face. One family runs everything, from a five word headline set at 240 pixels down to the caption pill at 26. That is a constraint, and it changes which typefaces are worth choosing.
Video scene types
A scene here is not a slide, it is a role. Fifty roles exist, each with a written definition of what it shows and when it should be used, and behind them sit 425 concrete layouts. The director picks a sequence of roles first, then chooses one layout per role.
Video templates
There are 32 templates and they are not all the same kind of thing. Seventeen of them pin an exact, ordered list of scenes, so the video is the same shape every time. The other fifteen pin a story arc and let the engine resolve which layout fills each role, which produces variety between runs.
YouTube Shorts maker
Shorts is the only one of these formats defined by a rule rather than a placement. Upload something square or taller that runs three minutes or less and YouTube classifies it as a Short automatically. Go wider than 1:1 and it becomes an ordinary video on your channel instead.
YouTube video maker
The watch page is the one place in this list where 16:9 is the native shape rather than a compromise, where sound is on by default, and where a viewer has already decided to watch before the first frame plays. That changes what the video has to do in its opening seconds.
Zoom into a screenshot
A full screen screenshot in a video has a problem: the thing you are talking about is a small button somewhere in it. Marking a focus point solves that by turning one static picture into a small piece of choreography, a pointer arriving, a click landing, and the frame closing in on it.
Finished examples of this kind are on the video examples hub.
E-signatures
Access code to sign
An email address is a weak claim about who somebody is. Inboxes get forwarded, shared and left open on desks. An access code adds a second thing the signer has to know, and you decide how they came to know it.
Are electronic signatures legally binding?
This page does not answer that question, because no software can. Whether a signature binds anybody depends on the law where you are, the kind of document, and eventually on somebody deciding a dispute. What a product can do is be exact about what it recorded.
Certificate of completion
The signed document shows the marks. The certificate shows how they got there. It is a separate PDF built from the event log the moment everyone has finished, and it is the file worth keeping alongside the contract.
Decline to sign
The worst outcome for a signing request is not a refusal. It is silence, where nobody knows whether the other party is thinking about it, missed the email or has decided against the whole thing.
Download the signed document
Three different files come out of one envelope, and knowing which is which matters when somebody asks you for the contract six months later. Two of them exist only after everyone has signed.
Draw or type a signature
The pad has two buttons in its corner: a pen and a letter. They produce the same kind of thing in the end, an image, but they suit very different people and the record notes which one you used.
E signature audit trail
A list of things that happened is only worth something if you can show it has not been edited since. That is what the hash chain under this log is for, and the page tells you whether it still holds.
E signature consent forms
A consent form is the one document where refusing has to be as easy as agreeing, and where the record of who agreed matters more than the mark on the page. That changes which settings are worth the extra friction.
E signature field types
Ten field types, no more. Knowing which of three groups each one falls into tells you almost everything about how it behaves, because the group decides who supplies the value and whether anybody can override it.
E signature for freelance contracts
You are not running a legal department. There is one client, the scope was agreed on a call yesterday, and the only thing standing between you and starting work is a signature you would rather not spend an afternoon collecting.
E signature for HR documents
Three quite different jobs get lumped together as HR paperwork. An offer that needs negotiating and countersigning, a policy that needs acknowledging, and a handbook that needs a record of receipt. Each wants a different set of boxes on the page.
E signature for leases
Property documents are long, they carry more than two names, and half of them arrive as scans rather than clean exports. All three of those facts change how you prepare the envelope.
E signature for quotes
A verbal yes is not a purchase order. What you want back from an accepted quote is a page carrying a signature, a name, the buying entity and, in a lot of businesses, a reference number their finance team will recognise.
E signature for schools
The document is trivial. The volume is not. A permission slip is half a page and takes ninety seconds to prepare, and then you need one hundred and forty of them signed by Friday, which is a completely different problem.
Electronic signature online
One envelope holds one PDF, the people who have to sign it, and the boxes each of them fills. That is the whole model. Everything else, the invitations, the identity checks, the stamping and the final certified file, follows from those three things.
Electronic signing consent
A single line above the submit button asks the signer to agree that signing electronically counts. It is the least visually interesting part of the flow and one of the more useful things kept afterwards.
Electronic vs digital signature
The two phrases are used interchangeably by almost everybody, including people selling software. They describe different things, and the difference decides which questions a given file can answer.
Fillable fields for signers
Not everything on a contract is a signature. A reference number, a job title, a mark against a clause. These are the boxes the other person fills in on their way past, and the ones you can decide are compulsory.
How secure is e signing
Most of the security in a signing product is invisible, which makes it easy to claim and hard to check. Here is what is actually enforced, in the order a request meets it, and then what it does not cover.
How to verify a signed PDF
Somebody sends you a file and says it is signed. Checking that claim takes about twenty seconds, and it does not involve trusting the sender, the covering email or the marks on the page.
In person signing
The other party is standing at the counter. Emailing them a link, waiting for them to find their phone, unlock it and search their inbox is theatre. Turn your screen round instead.
Initials on every page
A twelve page lease traditionally wants a set of initials in the corner of each page, so nobody can quietly swap page seven later. Producing twelve marks by hand is tedious. Producing one and having it land twelve times is not.
Multiple signers on one document
Three people signing the same agreement is three sets of boxes on one PDF. The difficulty is never the signing, it is making sure the right box belongs to the right person and that nobody can fill in somebody else's.
One time code signing
You have nothing to share with this person in advance and no phone number for them, but you would still rather not treat a link in an inbox as proof of identity. A short code sent on demand sits between those two positions.
Place signature fields on a PDF
A box that looks right in the editor and stamps two centimetres off in the finished PDF is the classic failure of this kind of tool. Avoiding it is a question of what the coordinates are measured against.
Resend a signing invitation
Somebody says they never got it. The lazy fix is to forward the original email, which leaves two live links to the same document in two inboxes. Resending properly replaces one with the other.
Send a PDF for signature
The part you cannot see is the part that decides whether somebody signs. This is exactly what lands in their inbox, what it tells them before they click, and what happens on your side while you wait.
Sign a document on a phone
Most people who are sent something to sign are not at a desk. A contract page shrunk to fit a phone has boxes four millimetres tall, and typing into one of those is a genuinely bad experience, so below a certain width the layout gives up on it.
Signature block fields
Placing a signature box, then a name box, then a title box, then a date box, and lining all four up by eye is a waste of a morning. The signature block is one field that draws the whole arrangement and keeps it square.
Signature request expiry
A signing link that works forever is a small liability sitting in somebody's inbox. Thirty days after the envelope was created, it stops working, and the sweep that does it runs whether anyone is watching or not.
Signing order
A switch labelled Sign in order sits under the field palette. It looks small. It changes who receives an email tonight, who receives one on Thursday, and what happens when somebody clicks a link before it is their turn.
Tamper proof signed PDF
Nothing makes a file impossible to alter. What a certifying signature does is make an alteration impossible to hide, which is the useful property. Any editor can change the number on page two; none can do it without the file announcing it.
The date signed field
Ask a person to type today's date and a certain number of them will type last Tuesday, or their birthday, or nothing. The date on an executed agreement is a fact about when it happened, so it is not something a signer should be typing at all.
The signed copy, emailed
The moment everybody has signed, the finished file goes out as an attachment to everyone involved. Nobody has to log in, remember a link or ask you to forward it, which removes the most common follow-up email in the whole process.
Track who has signed
Half the work of getting a document signed is knowing who to chase and when. A row per person, with a badge and a timestamp, replaces the reply-all thread asking whether anybody has looked at it yet.
Trusted timestamp for a signed PDF
A signing time written into the file is a claim by whoever wrote it. A timestamp token is a claim by a third party who has no stake in the document, and it keeps working after the signing certificate itself has expired.
Withdraw a signature request
You spotted the wrong figure on page two an hour after sending. There is no edit button on a sent envelope, on purpose, so the correction starts by taking the old one out of circulation properly.
Finished examples of this kind are on the e-signature examples hub.