Encorefold Series A

Creator platform pitch deck with payouts and take rate first

A creator platform is judged on what the creators were paid, and any deck that reports its own revenue first has answered a different question. Encorefold is invented, and its ten slides open on 6.4 million dollars paid to musicians and treat the 8 percent as a consequence of it.

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ENCOREFOLD

$6.4M paid to musicians, 8 percent kept

EF

Noor Haddad

Co-founder and Chief Exec

Slide 1 · cover · Lead with what creators were paid, not with what the platform kept.

THE GAP

Two hundred fans

A musician with 40,000 monthly listeners earns roughly 160 dollars a month from streaming. The same musician with 200 fans paying eight dollars a month earns 1,600. The second number is a living and the first one is not, and almost nothing exists to help a working musician get from the first to the second. What they are offered instead is a general creator platform that takes a fee, hides the member list and was designed for somebody who writes a weekly newsletter.

01
The fee is the problem

General membership platforms take 8 to 12 percent plus payment costs, and then a share again if the musician sells anything to their own list.

02
They cannot leave

On most platforms a musician cannot export their members. Leaving means starting again, which is why fees in this market never have to come down.

02

Slide 2 · intro · Why a working musician needs this, argued from what streaming pays rather than from creator economy language.

WHAT IS IN IT

Four things a generic tool does not do

Tracks

Unreleased and demo audio streamed to members only, with the rights paperwork handled at upload.

Presale

Members get a 48 hour window on gig tickets before general sale, which is the single most used feature.

Stems

Multitrack stems released to a higher tier, with a licence that lets members remix and post.

The list

Every member email exportable at any time, in one click, with no notice period and no penalty.

03

Slide 3 · pillars · Four things built for musicians rather than for creators in general.

PAYOUTS

The year to December 2026

$6.4M

Paid to musicians

After our fee and after payment costs. The number a musician cares about and the one we report first.

8%

Take rate

Flat, on gross payments. Payment processing is inside it rather than charged on top.

3,100

Active creators

Took at least one payment in the last 30 days. A median creator has 14 paying members and earns 1,450 dollars a year.

04

Slide 4 · metrics · Payouts, take rate and creator count on one row, in that order, because the order is the argument.

GROSS PAYMENTS

By membership tier

Q1 2026
Q2 2026
Q3 2026
Q4 2026
0600120018002400
Supporter, $4
Member, $8
Inner circle, $20

GROSS PAYMENTS

$6.96M

Thousands of dollars, stacked

INNER CIRCLE

38%

Q4 share, 21 percent in Q1

AVERAGE MEMBER

$9.40

A month, across all tiers

MEMBER CHURN

4.1%

A month, flat all year

05

Slide 5 · metrics · Gross payments split by membership tier, since the top tier is where the growth is coming from.

What a musician keeps on eight dollars

One member paying eight dollars a month. Three platform shapes, the same payment, every cost included.

Encorefold

$7.36

Eight percent, payment costs inside it

Included

Hosting, streaming, presale tools, stem licensing and member export at any time.

Not charged

No payment surcharge, no fee on merchandise sold to the list.

Over a year

Two hundred members returns 17,664 dollars to the musician.

Keeps 92 percent

Big platform

$6.72

Ten percent plus payment costs on top

Included

Posts, tiers, comments and a generic media player.

Charged extra

Payment processing, and a share of anything sold to members.

Over a year

Two hundred members returns 16,128 dollars to the musician.

Keeps 84 percent

Self hosted

$7.44

Payment costs only, everything else is work

Included

Whatever the musician builds and maintains themselves.

The real cost

Six to ten hours a month of their own time, forever.

Over a year

Returns 17,856 dollars and about 96 hours of admin.

Keeps 93 percent

06

Slide 6 · comparison · The fee against two competing shapes, described by type rather than named, on one real payment.

Signup to first payment

Out of 100 musicians who start. Median eleven days to the first paying member.

1

Sign up

100 start. Name, links and a bank account. Six minutes.

2

Set tiers

88 set at least one tier. Most copy the suggested three.

3

Post once

69 post something members only. Usually a demo track.

4

Tell people

58 announce it. This step is the whole funnel, and we help.

5

First member

51 get a paying member. Median four days after announcing.

6

Still here

43 still take a payment at 90 days, which is what we report.

Fifty one in a hundred reach a first paying member

07

Slide 7 · process · How a musician gets from signup to a first payment, with the drop at each step named.

Why a musician stays

Creator churn is 1.9 percent a month. Here is what they tell us when we ask.

They can leave

Member emails export in one click, so staying is a choice rather than a lock in.

The presale works

Sixty one percent of gigs sell out in the member window before general sale opens.

The fee does not move

Eight percent, written into the terms, with 90 days notice required to change it.

Payouts are weekly

Every Tuesday, not monthly, which matters a great deal to a working musician.

They refer each other

Forty four percent of new creators arrive from another musician on the platform.

08

Slide 8 · pillars · Why musicians stay, in five points, since churn at the creator level is the real risk in this model.

The ask

Sized to 12,000 active creators and 30 million dollars a year of member payments, on the same 8 percent.

$7M

Series A, to 30 million dollars of member payments a year

$2.45M

Creator growth

Thirty five percent. Mostly the referral programme, since 44 percent of creators already arrive that way.

$1.75M

The announce step

Twenty five percent. Fifty eight in a hundred announce. Every point here is worth about 110,000 dollars of payouts.

$1.75M

Product

Twenty five percent. Stems, presale and the rights paperwork, which are the three things a generic platform will not build.

$1.05M

Payments and compliance

Fifteen percent. Weekly payouts in nine countries, plus the tax reporting a musician would otherwise do alone.

09

Slide 9 · investment · Seven million in four cards, weighted to the announce step the funnel slide identified.

The whole case

Six point four million dollars, paid weekly

At 12,000 active creators averaging 22 paying members, members pay about 30 million dollars a year, the platform keeps 2.4 million and musicians receive the rest. The fee does not go up to get there. Creator level payout data, including the 640 musicians who left in 2026, is available before any term sheet.

noor@encorefold.example

10

Slide 10 · closing · Close on the payout number again, and offer the creator level data behind it.

The structure

What each slide is doing, so you can reuse the order even with different content.

Slide 1cover
Lead with what creators were paid, not with what the platform kept.
Slide 2intro
Why a working musician needs this, argued from what streaming pays rather than from creator economy language.
Slide 3pillars
Four things built for musicians rather than for creators in general.
Slide 4metrics
Payouts, take rate and creator count on one row, in that order, because the order is the argument.
Slide 5metrics
Gross payments split by membership tier, since the top tier is where the growth is coming from.
Slide 6comparison
The fee against two competing shapes, described by type rather than named, on one real payment.
Slide 7process
How a musician gets from signup to a first payment, with the drop at each step named.
Slide 8pillars
Why musicians stay, in five points, since churn at the creator level is the real risk in this model.
Slide 9investment
Seven million in four cards, weighted to the announce step the funnel slide identified.
Slide 10closing
Close on the payout number again, and offer the creator level data behind it.

Slide by slide

Slide one puts the payout and the take rate on the cover. Slide two contrasts streaming income with 200 paying fans. Slide three is four things built for musicians rather than for creators generally. Slide four is payouts, take rate and active creators in that order. Slide five is gross payments by membership tier as a stacked column. Slide six compares what a musician keeps on eight dollars across three platform shapes. Slide seven is the funnel from signup to a first paying member. Slide eight is five reasons creators stay, starting with being able to leave. Slide nine splits seven million four ways. Slide ten restates the payout and offers the creator level data.

How to adapt this deck

A platform for writers or video makers keeps the structure and replaces the four music specific features, because the whole argument rests on being built for one craft rather than for creators in general. A business taking no fee and charging a subscription to the creator instead swaps the take rate comparison for a payback slide, since the creator is now a customer rather than a partner. A marketplace where fans discover creators rather than bringing their own adds a demand slide after the funnel, because the activation problem moves from announcing to being found.

What this audience asks for

The Ivors Academy and the Musicians Union both publish work on what performers and songwriters actually earn from recorded music and from direct support, and both describe the same gap this deck opens on: streaming income at scale is smaller than a few hundred paying fans. That is why the argument here is arithmetic rather than aspiration, and why the deck reports a median creator rather than a top one. An investor who has looked at this category before will ask for the median first, and a deck that has already published it has removed the most common reason these conversations stall.

What makes this deck work

The payout is the headline, the take rate is the footnote

Slide four reports 6.4 million paid to musicians first, then 8 percent, then 3,100 creators, and the description reconciles all three to 6.96 million of gross payments. Leading with the platform own revenue in this category signals which side of the transaction you are on.

The fee comparison includes the option that beats it

Slide six prices an eight dollar membership on three shapes, and self hosting keeps 93 percent against this platform 92. The slide then prices the six to ten hours a month that difference costs. A comparison that lets a rival win one column is one a musician will actually read.

Being able to leave is listed as a retention feature

Slide eight opens its five reasons creators stay with one click member export and no notice period. In a category built on lock in, a platform that reports 1.9 percent monthly creator churn while making leaving easy is making a much stronger claim than the churn number alone.

Questions people ask

What goes in a creator platform pitch deck?

What creators earn today, what the product does for them specifically, payouts and take rate together, payments by tier, the fee compared with the alternatives, the activation funnel, why creators stay and the ask. This example uses ten slides and reports the median creator, not the top one.

Should I lead with payouts or with revenue?

Payouts. The platform revenue is a fixed percentage of it, so reporting payouts first gives both numbers at once and signals whose side the business is on. This deck says 6.4 million paid and 557,000 kept, which is the same sentence read twice.

What take rate is defensible for a creator platform?

Whatever you can hold while creators are free to leave. This example charges 8 percent with payment processing inside it, contracts a 90 day notice period before changing it, and offers one click member export, which is what makes the rate a commitment rather than a lever.

How do I show creator activation?

As a funnel with the step where people stop. This deck runs 100 signups down to 51 with a first paying member and 43 still active at 90 days, and names announcing as the step that decides it. A total creator count with no activation rate behind it is a vanity number.

How many slides for a creator economy raise?

Ten to twelve. This one is ten. Screenshot tours of the creator dashboard are the usual filler. The comparison of what a creator keeps on one payment is the slide that does the work, because it is the calculation every creator has already done.

What do investors ask about creator concentration?

What share of payouts the top creators carry. Answer it with the median rather than the mean, as this deck does with a median of 14 paying members and 1,450 dollars a year, and offer the creator level file including the musicians who left. Concentration hidden in an average gets found in diligence.

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Sources

Written and checked by the OneCraft team. Last checked .