Hebrew AI voiceover

The Hebrew voices, with samples

Each sample reads the same line so you can compare them fairly.

he-IL from a one-word setting

Hebrew in the Language field maps to the he-IL locale, and every automatic voice for the video is minted there, since premium voice identifiers are locale-bound. The director writes modern Israeli Hebrew for narration and on-screen copy alike, working from your brief's facts in any language; nothing is machine-translated, it is authored. Nikud is not used, matching how commercial Hebrew is actually written. Wording you cannot allow to drift, a registered slogan or halachic phrasing, should be quoted in the brief and will be carried through exactly.

Casting from the full eight

Hebrew carries the complete character set: Puck and Laomedeia for energetic retail spots, Charon and Erinome for explainers, with tutorials locked to the instructional pair by a code-level rule, Umbriel and Sulafat for warm testimonial reads, Iapetus and Aoede for corporate updates. Style and gender come from the brief's tone, one default voice per video, overridable scene by scene through the voice dialog, which also searches the entire live Google catalogue when you want something outside the eight.

The Open Sans advantage

Every caption stays legible in Hebrew because the render host substitutes a system font for missing glyphs, but substitution never matches the design. The exception available to you: switch the video's font to Open Sans in the theme panel, the single catalogue family with a genuine Hebrew subset, and both captions and any Hebrew on-screen text render in the design's own typeface with proper weights. That one change turns Hebrew from the weakest-looking script in the catalogue into a clean one, and it costs nothing but the font choice.

Right-to-left habits for a clean result

Keep Latin brand names and figures at a sentence's edge rather than its middle, because a mixed-direction run inside a centred right-to-left pill is where ordering surprises live. Spell numbers as words when the spoken form matters, since Hebrew numerals inflect for gender. Pronunciation control is respelling in the narration box, about half a credit per regenerated clip, and it works well given Hebrew's consonantal regularity. Scene timing behaves as everywhere: scenes stretch to clips, delay and speed (0.85x to 1.25x) sit per scene, music self-ducks to 22 percent, and generated narration never contains an em dash.

Captions in this script

Hebrew script trips the render's right-to-left mode: caption text direction flips so words read correctly from the right, the highlight follows the voice from the first spoken word, and authored slot alignments mirror across the frame. Fonts split into one and the rest: Open Sans, selectable in the theme panel's font tab, ships a real Hebrew subset, while the twenty-six other families do not, leaving their looks to a fallback font for Hebrew glyphs. A sentence mixing Hebrew with Latin letters or numbers can order strangely inside the centred pill, so give mixed lines one test render or drop the caption on that scene.

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