Collaboration agreement, The Long Way Round

Collaboration agreement template with an even ownership split

Two people starting something together agree on everything except the day one of them wants to stop. This four page collaboration agreement for a podcast splits ownership and money evenly, then spends its last section on the part that actually gets tested: 60 days notice, $2,500 for the name, and an archive both people keep a copy of for seven years.

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Collaboration agreement · The Long Way Round · M. Corrigan and S. RadhakrishnanPage 1 of 4
Collaboration agreement · The Long Way Round · M. Corrigan and S. RadhakrishnanPage 2 of 4
Collaboration agreement · The Long Way Round · M. Corrigan and S. RadhakrishnanPage 3 of 4
Collaboration agreement · The Long Way Round · M. Corrigan and S. RadhakrishnanPage 4 of 4
Collaboration agreement

Made on 2 May 2027 between Maeve Corrigan of 18 Sorrel Street, and Sunil Radhakrishnan of 6 Cobbold Way, together called the Co-creators, for a twelve episode narrative podcast series called The Long Way Round. Neither party is employed by the other and no company is formed by this agreement.

12
Episodes in season 1
50 / 50
Ownership
$9,600
Budget
$4,800
Each contributes
1. What each of us does
1.1
The split of the work
The table below is the working split for season 1. It is a division of responsibility, not a measure of value, and nothing in the money or ownership clauses changes if the balance of hours turns out uneven.
Task
Lead
Second
Research and story selection
Maeve
Sunil
Interviews and field recording
Maeve
Sunil
Scripting and narration
Shared, alternating
Shared, alternating
Editing and sound design
Sunil
Maeve
Music, rights and clearances
Sunil
Maeve
Publishing, feed and website
Sunil
Maeve
Social, newsletter and press
Maeve
Sunil
1.2
What each of us promises to deliver
Twelve episodes of 28 to 34 minutes, released fortnightly from 7 September 2027. Two consecutive missed deliveries by the same person triggers the review in clause 6.1.
2. Money in, money out
2.1
The season 1 budget
Each Co-creator puts in $4,800, making a $9,600 budget in a joint account. Neither draws a fee or a wage from it, and any spend above $400 outside the table needs both signatures.
Direct cost
Season 1 budget
Editing and mastering, 12 episodes
$4,800
Music and archive licences
$1,200
Travel and field recording
$2,220
Artwork and trailer
$900
Hosting and transcripts, 12 months
$480
Total
$9,600
2.2
How revenue is shared
All revenue from the series, being sponsorship, listener support, licensing and any adaptation, goes into the joint account. Direct costs are paid first, then each Co-creator is repaid their contribution, and what is left is split 50 and 50, paid quarterly.
2.3
Work paid for separately
Work one Co-creator does that the series would otherwise have paid a third party for, such as a full mix, is invoiced at the quoted rate and agreed in writing first.
3. Who owns what
3.1
The series is owned in equal shares
The name, format, artwork, feed, website and finished episodes are owned in equal undivided shares. Neither sells, licenses or pledges a share without first offering it to the other.
3.2
What each of us keeps
Each keeps copyright in their own narration and in anything made before this agreement, and grants the other a free irrevocable licence to use it in the series.
3.3
Contributors and interviewees
Every interviewee signs the series release before their recording is used. A paid contributor assigns their work to the Co-creators jointly, and that assignment is a condition of being paid.
4. Credits
4.1
How the credit reads
Every episode credits both as co-creators. In season 1 the credit reads Corrigan and Radhakrishnan, and in season 2 the order reverses and keeps alternating. Role credits, such as producer or editor, follow the table in clause 1.1.
4.2
Solo work and outside work
A solo written and presented episode still carries both names as co-creators. Either may make other podcasts, and neither uses this name, format or artwork outside this agreement.
5. Decisions and disagreements
5.1
How a decision gets made
Editorial decisions inside an episode are the lead’s under clause 1.1. Decisions about the series, being the name, a sponsor, a platform deal, a season commission or a price, need both to agree in writing.
5.2
If we cannot agree
The Co-creators meet within seven days, then go to a mediator whose fee is paid from the joint account. If mediation does not settle it within 30 days, either may start the exit in clause 6.2.
6. Leaving, and what happens to the work
6.1
The review
Either may call a review if the other has missed two consecutive deliveries or stopped taking part. It is a meeting within 14 days with a written outcome, and may agree a pause.
6.2
Leaving the series
A Co-creator may leave on 60 days written notice. Episodes already released stay up, and the leaver keeps 50 per cent of net revenue from them for 24 months. The remaining Co-creator may keep making the series and pays the leaver $2,500 for the name and the format.
6.3
The archive
Raw tapes, project files, transcripts and release forms stay on the shared drive for seven years, and each Co-creator may keep a full copy. Neither deletes the archive or publishes the other’s raw material.
If both of us stop
If neither Co-creator has released an episode for 12 months, the series is dormant. Either may then publish the back catalogue as an archive, the revenue split continues, and neither may relaunch it under the same name without the other agreeing.

Signed as an agreement. Both Co-creators have read it, including the money order in clause 2.2 and the exit terms in clause 6.2.

Maeve Corrigan, co-creator
Name
:
Date
:
Sunil Radhakrishnan, co-creator
Name
:
Date
:

Section by section

What each section is for, so you can keep the ones you need and drop the rest.

Parties and headline terms
Two named co-creators, no company formed, and a stats strip with episodes, split and budget.
1. What each of us does
A seven row task table with lead and second, and what each promises to deliver.
2. Money in, money out
The $9,600 budget table, the order revenue is paid in, and work invoiced at a third party rate.
3. Who owns what
Equal undivided shares, what each keeps personally, and releases from contributors.
4. Credits
Both credited as co-creators, the order alternating by season, and solo and outside work.
5. Decisions and disagreements
Which calls belong to the lead, which need both, and the meeting then mediation route.
6. Leaving, and what happens to the work
The review, 60 days notice, $2,500 for the name, the seven year archive and a dormancy callout.
Signatures
A block each, naming the two clauses both confirm reading.

How to adapt this document

For three or more collaborators, change the equal shares in clause 3.1 to a named percentage against each person and add a rule for what happens to a departing share, because an offer to the other on the same terms only works when there is one other. For a one off project such as a film or a book, replace the dormancy callout with a completion date and say what happens if the work is never finished, since a project with no release schedule has no way to become dormant. For a collaboration where one person brings an existing audience or an existing brand, carve that asset out of clause 3.1 by name and licence it in for the term, or the person who built it will find they gave half of it away.

What makes this document work

The contribution table is separated from the money

Seven tasks with a lead and a second against each, from research and field recording to publishing and press. Clause 1.1 then says in terms that it is a division of responsibility, not a measure of value, and that nothing in the money or ownership clauses changes if the hours turn out uneven.

Revenue has an order, not just a percentage

Clause 2.2 pays direct costs first, then repays each co-creator their $4,800, then splits what is left evenly and pays quarterly. A bare fifty fifty split with no order is how one person ends up funding the editing and waiting a year to see it back.

Leaving has a price and a date on it

Sixty days written notice. Released episodes stay up and the leaver keeps 50 per cent of net revenue from them for 24 months. The one who stays may keep making the series and pays $2,500 for the name and the format. The archive stays on the shared drive for seven years and both keep a full copy.

Questions people ask

Who owns a podcast made by two people?

Whoever the agreement says, which is why one is worth writing before the first episode. Here the name, format, artwork, feed, website and finished episodes are owned in equal undivided shares, and neither may sell or license a share without first offering it to the other. Each keeps copyright in their own narration.

Does a collaboration agreement create a partnership or a company?

This one does not, and the parties paragraph says so. It is a contract between two individuals with a joint account for the series. If you want limited liability, shared tax treatment or outside investment, form a company and write a shareholders agreement instead, because a collaboration agreement cannot give you any of those three.

How should collaborators split revenue when one spends more time?

Deal with the time in a different clause. Ownership and profit stay even here, while clause 2.3 lets a co-creator who does work the series would otherwise have paid for, such as a full mix, invoice the joint account at the quoted rate, agreed in writing first. That pays for effort without reopening the split.

What happens to the back catalogue if one person leaves?

Released episodes stay published, and the leaver keeps half the net revenue from them for 24 months. The remaining co-creator may keep making the series and pays $2,500 for the name and the format. Raw tapes, project files, transcripts and release forms stay on the shared drive for seven years and both keep a copy.

Do interviewees and contributors need to sign anything?

Yes. Clause 3.3 requires every interviewee to sign the series release before their recording is used, and makes an assignment of work a condition of a paid contributor being paid. Chasing a release two years later, when an episode is being licensed, is the single most common clearance problem in narrative audio.

How do two co-creators break a deadlock?

By deciding in advance which decisions are shared. Editorial calls inside an episode belong to the lead under the contribution table. The name, a sponsor, a platform deal or a price need both in writing. If they cannot agree they meet within seven days, then mediate at the joint account's cost, and after 30 days either may start the exit.

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